فاعلية الاستدراج في شعر (كُثَيِّر عَزّة) - دراسة تحليلية
الكلمات المفتاحية:
الاستدراج، البلاغيّين، النّقّاد، التّضافر الأسلوبي، الشعر، كثيّر عزّة، الاستفهام، التجريدالملخص
يستعين الشّاعر العربي بتقنية الاستدراج بوصفها تقنية بلاغيّة تسهم في تحسين القول الشّعريّ وتجويده بغية إذاعته، وقصد انتشاره، وبذلك تعدّ هذه التّقنية واسعة الشّهرة في الأدب العربي. ومن المفيد القول: إنّ الشّعر العربي هو شعر غنائيّ أو قصصيّ، ولذلك فإنّ هذه التّقنية مفيدة جداً للبنيتين الغنائيّة والقصصيّة. ويعدّ الاستدراج من التّقنيّات البلاغيّة؛ إذ يتدرّج الشّاعر في الحدث الذي يحكي عنه ليصل إلى نقطة يحقّق فيها المباغتة والمفاجأة والدّهشة بالنّسبة للقارئ.
إنّ الاستدراج في القصيدة الشّعريّة يُعنى بتطوّر الحدث وتناميه، وهو يقع خاصّة بتلك القصائد التي تتسم بتعدّد الأغراض في القصيدة الواحدة، فهي التي تحمل ملامح الاستدراج، والسؤال الجدير بالطّرح: هل اعتمد الشّاعر كثير عزّة على تقنية الاستدراج في شعره؟
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